You could argue – with some success – that I hadn’t actually left acting in the first place, but it’s true to say that I stopped actively chasing work after the birth of my son in 2017.
Anthony was born very premature and required a lot of time and care in the early months of his life. I needed to be available and I needed to secure a steady, reliable income to be so. As such, I became a permanent member of staff at my local GP surgery (where I’d been temping for many years).
I settled my finances and secured my immediate future but lost my ability to audition.
It needed to be done.
Some work still came my way even without chasing it. I find this a constant, though very welcome, surprise when it happens. A publisher in New York approached me to narrate an audiobook for a NY Times bestselling author (through ACX) in 2018. Working around my surgery hours, I completed the project in early 2019. I’ve also had consistent work from a medical roleplay company that has kept my acting tools sharp throughout, with 2 or 3 one-day gigs a month.
I also gained very strong interest in providing the continuity voiceover for a medical fly-on-the-wall documentary series that was pitched to BBC2. Sadly, the pilot didn’t result in a series comission and Covid meant that the project fell by the wayside.
See what I mean about not actually leaving acting work? It’s probably more accurate to say that it never really left me.
So why am I going back now?
To answer that I have to go back to 2012 when I started a one-person Copywriting and Public Speaking Agency to support my acting and writing ambitions. Having worked as an award-winning copywriter for BT for many years, this seemed like an ideal opportunity to provide income and freedom – and it was immediately successful.
Sadly, in 2015 I suffered a bout of depression. This was compounded by the passing of my mother and grandmother in 2016. My agency work was placed on hold while I got myself back into shape and returned to a lesser degree when I worked at the surgery.
I’d always promised myself that I would move back into performing if the agency started to take up slack from the surgery. In late 2019 this seemed to be happening, with a run of success that closed off the year with a bang.
And 2020,…. we all know what happened.
2021, however, has seen the agency take off once again, with enough work to support myself and my family, and the freedom to choose when I do it. It’s my “side hustle” once more.
You HAVE to have a side hustle as an actor and performer. Unless you’re already independently wealthy, you won’t survive the infrequency of the work you get as an actor until you “make it” – and 99% of us never hit the dizzying heights of “main stars” like David Tennant or Idris Elba, though we must fight to.
My good friend and colleague Catherine Balavage (http://www.frostmagazine.com) once put it best: you have to be an Actorpreneur. Give yourself the income to support yourself and the freedom to chase the work. She wrote a fantastic book on the subject that you can read here.
Which is why, now both of my children are more independent and my side-hustle is secured, now is the time to pound on doors and chase the work once more.
I am intensely proud of my work at the GP surgery and forever grateful for them for providing me the stability I needed when I needed it most. It was with a heavy heart that I handed in my notice in August and left for the final time in September.
So I’m back. Properly back – applying for castings, dialling up old contacts and hitting the streets once more to fight for my place in the great market of creatives. I have already secured a new showing of Alice in Wonderland with my long-term collaborators at Rough Magic Theatre and am waiting to hear on a few other potential opportunities that have drifted my way.
I had my first new headshot photoshoot in many, many years last week with the BRILLIANT Ania Pankiewicz (https://www.aniapank.co.uk/) and will be sharing the results very soon.
And let’s not forget The Secret Keeper, which continues to bubble away as we re-submit funding for the pilot, which will be back in the hands of Arts Council England some time next week.
This is where I’ll be updating you on my progress and sharing my insights as I move forward – it’s very exciting to me and I hope that you’ll find it equally interesting.
Subscribe to the blog, follow me on the ol’ tweets and I’ll see you all again soon.
Tim is currently seeking representation and casting opportunities. If you like what you see on his showreel and gallery, he welcomes approaches from casting professionals.
Photo by Nikola Johnny Mirkovic on Unsplash