Tag Archives: arts

Showreel Updated with Added Heart To Heart!

Heart To Heart is now heading off onto the short film festvals circuit and I’ve had a gander at an early cut (It’s fantastic). The producers have kindly allowed a clip onto my showreel. And here it is! Enjoy,…

Short Film, New Theatre Show, Further Training and Auditioning for TV.

Well hasn’t the time flown?

It’s been a busy ol’ few months – let’s see what I’ve been up to, shall we?

Jurassic Earth.

Having secured touring work as part of the cast for Jurassic Earth back in January, the next job was to rehearse the show and work with the puppets. Cheeky things they are too! My first show was postponed by the dreaded Covid but I eventually went out to perform on the show last month, which was tremendous fun. More dates to follow!

Short Film at Media City.

I’m just back from filming a lead role on a short film in Salford, including some studio time over in Media City – genuinely one of my favourite places in the world.

It was a great script and a great idea, which I won’t spoil here.

I look forward to seeing the finished film once they’ve graded, edited and scored it. News and clips when I have them 🙂

New Theatre Show for July.

An opportunity to create a new show with my longtime collaborators at Rough Magic Theatre presented itself in February, too.

Beverley Puppet Festival were offering Scratch Space showings and funding for new shows in July and we pitched one that’s been sat on the backburner for a while. We were delighted to be awarded funding and space to develop, and premiere, the show.

Work has begun in earnest on “Seven Songs of Love” – a combination live-action, storytelling, musical shadow show based on traditional folk songs. You can see an example clip below. You can see the scratch performance over the weekend of 15th-17th July and we hope to be touring the full show in 2023.

Further Training.

In February I started working with casting director extrodinaire Sarah Leung, picking her brains on the industry and how best to navigate castings. We also arranged some one-to-one workshops to polish my film performance. It’s essential to know what casting directors are looking for and what they need to see when you put yourself forward.

Of her many invaluable suggestions, one really resonated: tape constantly.

Don’t just wait for a casting to come along – find scripts online and film yourself daily. Keep practicing. Keep improving. Keep working, even if you’re not in front of a casting director. This will keep you sharp for that moment that you do step into that audition.

It also means that you can build a library of performances that you can send to Casting Directors later.

Whitstable Pearl.

I put this advice into practice immediately and it came in handy when I was asked to audition for the TV show Whitstable Pearl a few weeks later. This was a self-tape audition that I ran a few takes together for. I wanted to give them a few choices to pick from and I enjoyed the process immensely. I was also very happy with the results.

Sadly, the role was eliminated in re-writes so nobody ended up being called back. As a practice exercise it was invaluable, however. It also validated my approach to representing myself while I’m in between agents. Which was nice.

I’ve not even mentioned playing hide and seek with the tremendous Sarah Punshon or discussions on directing a shadow short movie.

There’s plenty more to come!

Until then, stay Frosty!

Tim x

Tim is currently seeking representation and casting opportunities. If you like what you see on his showreel and gallery, he welcomes approaches from casting professionals.

Back In The Game: Why Now Is The Time I’m Returning to Acting and Writing.

You could argue – with some success – that I hadn’t actually left acting in the first place, but it’s true to say that I stopped actively chasing work after the birth of my son in 2017.

Anthony was born very premature and required a lot of time and care in the early months of his life. I needed to be available and I needed to secure a steady, reliable income to be so. As such, I became a permanent member of staff at my local GP surgery (where I’d been temping for many years).

I settled my finances and secured my immediate future but lost my ability to audition.

It needed to be done.

Some work still came my way even without chasing it. I find this a constant, though very welcome, surprise when it happens. A publisher in New York approached me to narrate an audiobook for a NY Times bestselling author (through ACX) in 2018. Working around my surgery hours, I completed the project in early 2019. I’ve also had consistent work from a medical roleplay company that has kept my acting tools sharp throughout, with 2 or 3 one-day gigs a month.

I also gained very strong interest in providing the continuity voiceover for a medical fly-on-the-wall documentary series that was pitched to BBC2. Sadly, the pilot didn’t result in a series comission and Covid meant that the project fell by the wayside.

See what I mean about not actually leaving acting work? It’s probably more accurate to say that it never really left me.

So why am I going back now?

To answer that I have to go back to 2012 when I started a one-person Copywriting and Public Speaking Agency to support my acting and writing ambitions. Having worked as an award-winning copywriter for BT for many years, this seemed like an ideal opportunity to provide income and freedom – and it was immediately successful.

Sadly, in 2015 I suffered a bout of depression. This was compounded by the passing of my mother and grandmother in 2016. My agency work was placed on hold while I got myself back into shape and returned to a lesser degree when I worked at the surgery.

I’d always promised myself that I would move back into performing if the agency started to take up slack from the surgery. In late 2019 this seemed to be happening, with a run of success that closed off the year with a bang.

And 2020,…. we all know what happened.

2021, however, has seen the agency take off once again, with enough work to support myself and my family, and the freedom to choose when I do it. It’s my “side hustle” once more.

You HAVE to have a side hustle as an actor and performer. Unless you’re already independently wealthy, you won’t survive the infrequency of the work you get as an actor until you “make it” – and 99% of us never hit the dizzying heights of “main stars” like David Tennant or Idris Elba, though we must fight to.

My good friend and colleague Catherine Balavage (http://www.frostmagazine.com) once put it best: you have to be an Actorpreneur. Give yourself the income to support yourself and the freedom to chase the work. She wrote a fantastic book on the subject that you can read here.

Which is why, now both of my children are more independent and my side-hustle is secured, now is the time to pound on doors and chase the work once more.

I am intensely proud of my work at the GP surgery and forever grateful for them for providing me the stability I needed when I needed it most. It was with a heavy heart that I handed in my notice in August and left for the final time in September.

So I’m back. Properly back – applying for castings, dialling up old contacts and hitting the streets once more to fight for my place in the great market of creatives. I have already secured a new showing of Alice in Wonderland with my long-term collaborators at Rough Magic Theatre and am waiting to hear on a few other potential opportunities that have drifted my way.

I had my first new headshot photoshoot in many, many years last week with the BRILLIANT Ania Pankiewicz (https://www.aniapank.co.uk/) and will be sharing the results very soon.

And let’s not forget The Secret Keeper, which continues to bubble away as we re-submit funding for the pilot, which will be back in the hands of Arts Council England some time next week.

This is where I’ll be updating you on my progress and sharing my insights as I move forward – it’s very exciting to me and I hope that you’ll find it equally interesting.

Subscribe to the blog, follow me on the ol’ tweets and I’ll see you all again soon.

Stay frosty!

Tim

https://www.spotlight.com/8218-3497-0502

https://www.mandy.com/uk/actor/timothy-austin-1

https://www.thetalentmanager.com/talent/157692/tim-austin

Tim is currently seeking representation and casting opportunities. If you like what you see on his showreel and gallery, he welcomes approaches from casting professionals.

Photo by Nikola Johnny Mirkovic on Unsplash

Winning Awards in a Fascinating Year.

At the start of 2013, I acted in a short film called “Life Like Mine”.  As the year draws to a close, then, it’s a great time to announce that the film has now garnered not 1 but 3 awards at the Angel Film Awards at the Monaco Film Festival.

The awards, now in their 11th year, are among the most prestigious on the short-film circuit.  These three awards are a testament to the hard work and talent of the crew and I’m delighted to share in their success.

What a lovely way to end the year.

And what an interesting year it’s been.  I’ve continued my successful partnership with Yorkshire-based Rough Magic Theatre, performing a number of street shows with the company and starring in their brand new theatre piece “Officer Buckle and Gloria”.

I’ve also spent a good chunk of the year training my screen performance with the help of Beverley Keogh in Manchester, as well as auditioning for a number of shows, among which was a brand new BBC sitcom.

The feature film that I shot last year, The Rise, has also had its cinema release and is now out on DVD.

My work with the local Equity branch has also been rewarding, with recent discussions and efforts delivering real benefits for performers in the region.

All in all, a fascinating time.  What will 2014 bring?

Have a Merry Christmas and a Happy New Year, all!

Tim

A Year in Review.

As  2011 fades into the mists of time and 2012 springs, Bambi like, into the face of today (don’t start!), it’s time to reflect on the year past and look forward to the year ahead.

And it’s been a hell of a year! In 2011 I;

    • Was cast in 3 short films (2 of which are now complete).
    • Performed on stage in “Whiff Whaff” and directed another play for “Theatre Uncut”.
    • Reprised my role as the Mad Hatter in “Alice in Wonderland” at the Hebden Bridge Festival in West Yorkshire.
    • Performed improv at Contact Theatre in Manchester.
    • Auditioned on The West End and for a Hollywood director.
    • Was chosen to audition for leading roles in “Merlin and the Legend of King Arthur” and “Much Ado About Nothing”, among many others.
    • Published my first showreel.
    • Wrote sucessful play scripts for Morph Films and Rough Magic Theatre.
    • Created VideoTim, a YouTube channel dedicated to new original monologues.
    • Secured both a performing agent and a voice over agent.
    • Attended various equity and networking events, including the recent innaugral gathering of a brand new branch in North Lancashire (more on that later).
    • Became a columnist for Frost Magazine.
    • And began writing this blog.

    Whew!  I hadn’t quite realised just how busy last year had been.

    But that was 2011; What about 2012?

    Well you never know what the future is going to bring but it is my hope that, with renewed hard work and determination, things will really begin to take off. 

    I’ve already got performances at 3MT in Manchester on the cards as well as workshops for Red Ladder Theatre in Leeds. I’ll be visiting the BBC studios at Media City in Salford soon and completing a significant series of articles for Frost Magazine.

    But what else would I like to do this year? Let’s throw caution to the wind and set out my stall for the year ahead;

      • I’m still very keen to work with the team at Big Finish Productions, an audio drama company that I’ve admired for many years.
      • I’m hoping to build on my relationships with regional theatres in Lancaster, Leeds, Manchester and across Yorkshire and Lancashire. There are a few companies that I’m particularly keen to work with, including the brilliant Pilot Theatre, Northern Broadsides and (if they’ll have me!) Forced Entertainment.
      • I’d like to get more comic material on my showreel as it’s a little short on range.
      • Training ambitions this year include Horse Riding and Fencing.
      • And I’m looking for my first mainstream TV and movie roles in 2012!

      You never know what’s around the corner in this job; I was contacted about a presenting gig for Disney the other week.

      Let’s see what 2012 has in store!

      Tallyho!

      Larkin’ About

      Well, I’ve now finished my temporary assignment in the “Real World”, doing the 9-5 (or, in my case, the 8 – 6.30) and I’m back chasing new work as a performer. And, as lovely as the guys at the GP surgery were – and they were seriously lovely! Thank you, thank you! – I’m glad to be back chasing my career.

      And, wouldn’t you know it, within a week of finishing at the surgery I found myself on stage at Contact Theatre in Manchester, helping out my old friend Aliki Chaple.

      Last Saturday I performed in an improvised, and frighteningly high tech, social gaming show as part of an evening arranged by Larkin’ About. Aliki was producing and directing an interactive show called Improv Avatar and I volunteered to be one of her guinnea pigs professional actors.

      The idea was this; Three other actors and I would perform together and improvise around words tweeted to us by selected members of the audience. No script, no warnings as to how to react; nothing. Imagine Whose Line is it Anyay?… on Speed. But madder.

      It was hillarious. Flat out anarchy from start to finish and I loved it!

      Although I’ve helped to create devised works before, I’ve never performed straight Improv, except when playing to an audience for Alice and in Panto. It was a truly remarkable experience! You had to be quick!

      One moment I was attempting to force a Hippo into a cooking pot, the next I was trying to wrench my jaw out, the next I was floating in space trying to convince someone that they weren’t in Australia after all. Which was true enough.

      Manic, energetic and great entertainment.

      I’d like to thank my fellow performers, Jack Coverdale, Sharon Lancaster and Nathan Birkinshaw for being such sports, and a big thanks to Aliki for inviting us along!

      The stage for Improv Avatar

      To learn more about Larkin’ About, please visit thier website; http://larkin-about.co.uk

      Only two more weeks to Christmas! Don’t forget to buy a copy of my short story e-book, Christmas Tails – it’s a great gift and 50p of every copy goes to children in need! Click here to find out more.

      “Date Night” Filming and Updates

      Filming has now begun on “Date Night”, a short film that I’m acting in somewhere in the depths of Lancaster. I can now give you a few more details,… but not too many!

      “Date Night” is in production at LFC Productions in Lancaster and is being directed by the wonderfully creative Liam Treacy, who also wrote the script. It is a two-hander between myself and actress Collette Knowles and,… well, I can’t give any details about the plot or I’d have men with very sharp sticks knocking at my door in the dead of night.

      Last night (16/08/2011) saw the first night of filming. Interior scenes were shot at a secret location. I can tell you that it was a restaurant and that it was impossibly swish. Needless to say, no food of theirs went anywhere near my mouth! This was a great relief to the lobsters but a mild disappointment to my taste buds.

      Cameras will roll again later this week for exterior shots and pickups. I’ll be uploading some photos from set in the next couple of days so stay tuned.

      Further to my post below, I can also now reveal that I have been accepted as a columnist for Frost Magazine, a superb online lifestyle and arts magazine. I am in the process of writing my first entry which should be up online sometime next week. You can read the magazine by clicking on the link below. I’ll update you with details about my columns and articles soon.

      Read Frost Magazine here; http://frostmagazine.com

      And now, The News,….

      This Tuesday sees me back before cameras, this time for the upcoming short film “Date Night”.

      A near-silent romantic drama, “Date Night” is a powerful and thought-provoking film that’s sure to turn a few heads. I can’t give much away about the plot or my part in it but I’m really looking forward to playing a part with some real emotional clout. More news, links and juicy tit-bits from the set on my next blog post (probably in the next couple of days)!

      Okay, I know you’re going to ask; no, I didn’t get that West End gig from a couple of weeks back. On the upside, the audition gave me a reason to write a new monologue for my Videotim YouTube channel (you can find it here) and the piece has been getting some great reviews. In fact, my agent, having seen the video, is now beating his way down new paths and knocking on a few storytelling doors using this video as ammunition. Always a good thing!

      You may have noticed that I’ve changed my main profile image to the right and on my “About Tim Austin” page. This is in response to advice I’ve been getting recently about playing “to type”. It has occurred to me that my old image, while a slightly nicer shot, didn’t reflect my slightly geekier, odder character. It was, in short, too “leading actor” when I’m more a “lead villain” or “elfin” type. There may be changes to the written profile as well soon, with this in mind.

      The eagle eyed among you may also have noticed that my Spotlight CV now houses a copy of my Showreel; this is a major step forward. Many casting directors search exclusively for profiles with a showreel so this opens me up to a much wider slice of casting network online.

      On the subject of opening myself up to a wider audience, I’ve approached an online magazine with a view to becoming a columnist. I can’t tell you which magazine, as things are at a very early stage and they’ve not given me any green light yet, but it would mean “ActorTim” blogs becoming predominantly news based in future. Articles about my thoughts on the industry, interviews and reviews would appear elsewhere.

      If you’d like to follow my progress and get regular updates about what I’m up to and where you might see me in action, please subscribe using the button on the right of the page. If you’d like to continue hearing my thoughts on the industry, along with reviews and interviews, stay tuned and I’ll have news on my journalistic ambitions soon!

      Take care and stay frosty!

      Tim Austin is an Actor working nationally and internationally from his base in the UK. You can find his Spotlight CV here; http://www.spotlight.com/8218-3497-0502 and watch his showreel by clicking here.

      New VideoTim!

      I have now posted 2 new videos on my Youtube channel. The first is the audition piece that I used at the Ambassadors last week; a brand new piece of storytelling with a Christmas theme. Proof that I can tell a Good tale.

      The second is a new version of the Henry V piece that I recorded a couple of months back. I wasn’t happy with the original so I took the initiative, while I had the camera (which is on loan), to re-record it. Take a look, let me know what you think. If you like these video’s, please share them as widely as you possibly can.

      Enjoy!!

      The Santa Tree by Tim Austin;

      Henry V, Chorus introduction to Act 1 (Redux)

      Parklife

      So there I was, stood beneath a tree with a cup of tea in my hand. To my left, a great wizard was muttering to himself with an almost insane look on his face. To my right, the Green Knight had just taken his head off and was standing around like a decapitated topiary figurine. He then began texting on his mobile phone. A woman then came jogging over from a Milk Float and nicked King Arthur’s sword and,… no, wait,… wait,… let me explain!

      No, I wasn’t at Tim Burton’s birthday party and I swear that no strips of paper went anywhere near my tongue. I was actually on set with the great cast and crew of The Dukes Theatre’s latest show in the park; Merlin and the Legend of King Arthur.

      Having missed out on the opportunity to join the cast earlier in the year, I e-mailed Joe Sumsion, the director of the show, and asked him whether I could look in on rehearsals. He kindly agreed and I joined the team on set in Williamson Park for an afternoon on Tuesday the 5th of July.

      I was immediately reminded of why I love being an actor: there was a tremendous, warm-hearted ensemble feel to the rehearsal. Even amid the pouring rain, actors and technicians were chatting, sharing idea’s, helping each other with their lines and pulling together to bring the legend of Camelot to life. I came across a couple of old friends (including Ian Brown, the actor who had sadly been forced to pull out from Theatre Uncut) and made a couple of new acquaintances (including the incredibly talented Cristina Catalina). Everybody seemed so dedicated to making this the very best show they could.

      Which made it all the more painful to hear that Merlin will be the very last of The Dukes’ famous plays in Williamson Park. Due to heavy funding cuts, both from the local council and from Arts Council England, the theatre can no longer afford to produce plays on this scale.

      To me this represents a serious blow to both the cultural wealth of the region and the local economy. The annual Play in the Park has become a nationally-recognised piece of event theatre which brings in audiences from all across the UK. To many, it was the only piece of theatre that they would go and see in a year and it was one of the few large-scale theatrical family shows left in the North West. There can be some consolation in hearing that funds will be diverted into producing a greater number of smaller-scale in-house shows at the Dukes’ main theatre spaces but the cultural impact of such a move cannot be understated.

      Once more we are seeing an element of our cultural heritage sacrificed at the expense of the numbers whizzing hither and thither in some unnamed and soulless Whitehall computer. For that’s what we are talking about; numbers. 1’s and 0’s. Ethereal and ephemeral computer code based on guesswork and traded as a government commodity on stock markets far away.

      It seems almost perverse that audiences of hard working and, indeed, unemployed everyday folk in Lancaster, who will never see this “money” or feel its benefit, should be deprived of a piece of quality event-theatre to satisfy the needs of such markets.

      Enjoyable days out, moments of escapism and entertainment to cherish; these things are needed more than ever during a recession. That these things are targeted first in the drive to “cut costs” so that “the numbers will balance” is truly a tragedy of our times.

      Merlin and the Legend of King Arthur will be showing at Williamson Park in Lancaster between the 8th of July and the 13th of August. For more information and to book tickets, please visit http://www.dukes-lancaster.org

      Tim Austin is an Actor and Theatre Dramaturg working nationally and internationally from his base in the UK. You can find his Spotlight CV here; http://www.spotlight.com/8218-3497-0502 and read about his work as a Dramaturg here; http://dramaturgtim.wordpress.com