Tag Archives: Casting

Overcoming the Anxiety of Getting Seen.

Being a working actor can be terrifying. It is, without a shadow of a doubt, the most fickle and over-subscribed industry on Earth, with hundreds, if not thousands, of actors applying for every single role that you apply for.

To make matters worse, if you don’t have an agent you’re probably only seeing 10% of the roles that are being passed about by those most terrifying, and wonderful, of gate-keeping humans: Casting Directors* (pay attention to the asterisk – it’s coming back later!)

I’m reminded, now that I’m back pounding pavements, just how difficult it is to be seen by the right people to make any progress in this business. The level of anxiety that can produce is very real. But how can we overcome it?

I’ve been reading up on advice given by Casting Directors and one phrase really jumped out at me:

Stay Positive.

Christ alone knows how difficult that can be when you’ve sent off your 10th pitch of the day and recieve crickets for your reward. The sheer force of silence on the other side of the casting divide is both deafening and deeply disheartening. But I understand what they mean when they say Stay Positive. I get it.

Because if you have the tenacity – if you get out there and be positive about yourself, your ability, your look and your aims, the right casting director will eventually see you at the right time for the right audition. You just need to trust the process.

Here’s the thing about that: *Casting Directors are lovely people – I know a couple of wonderful CDs (hello you!) and I can say this with complete conviction. Casting Directors want to find great actors and put them forward because they love TALENT.

They love finding a great actor as much as an actor loves finding a great role. If you are confident in your ability to deliver a performance that will win the part why should you be afraid to reach out and ask to be seen? I mean, don’t do it constantly – god no! They’re busy and don’t want to be bombarded – but a very occasional hello to remind them you’re active is fine. Encouraged, even.

Belief in your ability is what will hold you together. Not to a concieted or egotistical level (no no no no) but with a confident conviction that, actually, you are good at what you do. That you can demonstrate this. So long as you have this belief, you’ll be able to keep on punching through. Keep on fighting. Keep on reaching out to the people who need to see you.

Sometimes that belief will falter so go out and talk to other actors, directors and producers. Get out there and become part of a supportive network who will keep you fresh, keep your talent sharp and help to remind you that you deserve your part in the mix.

I was very humbled to recieve some beautiful feedback on an audition the other day. I was so nervous heading in for it – I hadn’t gone in for a face to face audition since long before Covid, but I had a monolgue that I knew I could deliver really well (rehearse, people!) and an idea of the character I was casting for that I knew would show thought and consideration.

Indeed, I used the nerves I felt outside that room to enhance my monologue – a character filled with an internal rage and self loathing. I turned that nervous energy inward, just as I’d learned to do over the decades I’ve been at this.

I came out of the audition knowing that a) I’d done my very best and the applause I’d recieved meant I hadn’t fucked it up (phew!) And b) that, actually, I probably wasn’t a perfect physical fit for the role, compared with other actors there.

I was very happy to hear, afterwards, that my instincts were right: the Director and Casting Director loved what I’d done. They loved my audition and my monologue to a point where it made them reconsider the character.

I’d come so very close to the lead role I’d gone for,… but my physical look meant there was another choice who – rightly – got that part instead.

(NB: I never feel bad about loosing a role if the right person gets it. Never. I love film. I love theatre and TV and drama and creating great work: why would I be upset that the film I wanted to be in is now cast perfectly? Makes no sense.)

But what it gave me was reassurance: I’d proven to myself that I was needed in that room. That I was worth their time. That I can deliver a performance that can make Casting Directors, Directors and audiences sit up and pay attention.

And for that I was so grateful.

It gave me my Positivity.

What else do you need? Well I’ll be going into that in some depth over the upcoming weeks – how to plan, who to connect with, what to create yourself (and why) and more. Hit subscribe and keep up to date to learn more about my process and my progress.

Tim x

See you next time!

Tim is currently seeking representation and casting opportunities. If you like what you see on his showreel and gallery, he welcomes approaches from casting professionals.

Photo by Tonik on Unsplash

“Local Performer to Debut Riverbank Tales”

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On the 30th of May, High Bentham will see the world première of 3 new short stories by celebrated local actor and writer Tim Austin.  Told to visitors in venues around the town as part of this year’s “Carnival Bentham”, the event marks a departure into straight storytelling that Tim has been planning for a long time.

“I’ve been writing for stage, page and audio for a while now,” explains Tim. “And much of my work has been short stories.  I’ve already performed self-penned shadow theatre shows and even a monologue or two on a West End stage but this will be the first time I’ve written and performed a story without props or puppets – the purest kind of storytelling.”

Tim will be telling stories about life and fantastical events on the River Wenning, which runs beside and through High Bentham.  The hubris of kings, magical creatures, an adventure in the undergrowth and the great Wenning Oak (a local landmark) will all feature.

The River itself provides the inspiration for this year’s Carnival Bentham; an event that’s now in it’s 4th year.  Along with Tim’s storytelling trail, the carnival will include a vibrant mix of street entertainment, a street procession, live music and fun competitions for all.

“I’ve been involved in the Carnival every year since it started,” continues Tim. “It’s a great event!  This is the first time I’ve been presenting my own work there and I’m really looking forward to it.”

As well as a busy Actor, Tim is a prolific writer, having penned many theatre plays and shadow shows for long-time collaborators Rough Magic Theatre.  He is also a published short-story writer, with his “Christmas Tails” collection riding high in the Amazon book charts every December and another collection on the way later this year.

Tim will be performing on streets and inside shops around the town.  Carnival Bentham takes place on Saturday the 30th of May. For more details on the event, please visit their facebook page at https://www.facebook.com/CARnivalBentham

(From a press release submitted to local newspapers)

Winning Awards in a Fascinating Year.

At the start of 2013, I acted in a short film called “Life Like Mine”.  As the year draws to a close, then, it’s a great time to announce that the film has now garnered not 1 but 3 awards at the Angel Film Awards at the Monaco Film Festival.

The awards, now in their 11th year, are among the most prestigious on the short-film circuit.  These three awards are a testament to the hard work and talent of the crew and I’m delighted to share in their success.

What a lovely way to end the year.

And what an interesting year it’s been.  I’ve continued my successful partnership with Yorkshire-based Rough Magic Theatre, performing a number of street shows with the company and starring in their brand new theatre piece “Officer Buckle and Gloria”.

I’ve also spent a good chunk of the year training my screen performance with the help of Beverley Keogh in Manchester, as well as auditioning for a number of shows, among which was a brand new BBC sitcom.

The feature film that I shot last year, The Rise, has also had its cinema release and is now out on DVD.

My work with the local Equity branch has also been rewarding, with recent discussions and efforts delivering real benefits for performers in the region.

All in all, a fascinating time.  What will 2014 bring?

Have a Merry Christmas and a Happy New Year, all!

Tim

Life Like Mine Update.

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I should be getting the rushes of the scenes I filmed for “A Life Like Mine” this week.  With these in hand, I’ll be putting together a new showreel very soon – keep a weather eye out!

So how did the filming go?  I had three scenes to shoot and all were completed in the space of a day.  Location shooting took place at the University of York’s frighteningly expensive-looking new Media Campus.  Only completed last year, the whole place looked so new that I was scared to sit anywhere in case I scratched something.

Cue “it wasn’t like this in my day” grumblings.

But it was a great shoot for a fantastic team of film makers.  My scenes were shot with former Coronation Street regular,and two-time rear of the year (No I didn’t look!), Scott Wright.  Charming fella and a good laugh – we now tweet,… it’s the 21st century “Let’s stay in touch!”

It was a comedic set of scenes, which will be nice for my (currently) comedy-lite showreel.  If the raucous laughter of the crew after each take is anything to go by, the producers should have a hit on their hands.

…..

In other news, I’m now a month into my TV acting course with Beverley Keogh and I’m enjoying it immensely.  I’ve found it incredibly useful in fine-tuning my screen technique and, as an actor who has worked and trained for the stage before now, I feel sure that this will help me to stand out in future screen castings.  I’ll be blogging about my work on the course over the next few weeks.

I’d say this though:  never be afraid to keep training and improving, as an actor.  If you’re a professional, you’ve got to keep working to be the best you can be and not rest on your laurels.  The industry is full to the brim of laurel-resting actors who think that, now they’ve graduated, the work should fall in their laps.

It won’t.  You’ve got to work hard to get anywhere in this industry and I’m putting that work in.

See you next time!

Short Film Casting and Further Training

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In early 2012, I was snapped up for a small part in the Feature Film “Wasteland”.  2013 seems to be getting off to a similar start, as I’m heading back before the cameras again.

“A Life Like Mine” (http://www.lifelikemine.co.uk/) is the story of a life coach whose own “perfect” life is not all it seems.  It’s a blistering drama that is being filmed in York and Scarborough by Martini Shot Productions.

I’ll be on set this weekend, filming scenes with Coronation Street actor Scott Wright.  It’s going to be a fun shoot, and a lovely little part to get my teeth into.  Keep an eye on my Twitter feed for updates!

…….

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I’m also pleased to announce that I’ve been accepted onto a screen acting course run by Act4TV, an offshoot of the great Beverley Keogh Casting.

I’ve always been an advocate of continued training – never let your skills get stale!  And, although I’ve worked on film, I trained and have performed mainly as a stage actor.  As anyone who has done both can tell you, they’re two very different beasts.

I’ve always been keen to broaden my understanding of screen performance and update my skills.  Not only does it improve my work, it’ll also help me in future castings.  The better my work, the more work I’ll get – simples.

I look forward to getting started this weekend.

Tim

 

Of Excitable Pooches and Fluffy Jackets: on the set of Wasteland.

I recently completed a day of filming on the upcoming British movie Wasteland.  I thought I’d jot down a few words about the experience.  Note; I’m not going to be talking about plots, scripts or famous faces – if you want to know about them, go and see the film 😉

I spent the night before in a swanky Leeds hotel but, sadly, the unfamiliar surroundings and the excitement of the new project kept me restless past midnight.  In an attempt to lull myself to sleep, I began channel hopping – I ended up watching Tarantino’s “Inglorious Basterds”.

This was not a great idea.

With swirling visions of scalped Nazis and burning cinemas rolling about my head, I finally got some shut-eye, ready for a 7am call.

Rising the next morning like an extra from Dawn of the Dead, I quickly showered and made my way through the eerily quiet centre of Leeds to the shoot location.

After a brisk 30 minute walk on an empty stomach, I was greeted by the smell of eggs, bacon, hash-browns and toast – God bless movie caterers!

Fully fed and coffeed, I made my way to costume and make-up.  I was promptly given a neat “short back and sides”, to get the look of the character just right.  I was later used as a fake-tattoo guinea pig, with the make-up team covering my right hand in various inks and sprays.  Y’know, this acting lark is just an excuse for us adults to play Dress Up, I swear.

I can’t tell you too much about the shoot itself (Rowan, the director, knows people; scary, scary people!*) but the sheer scale of a feature film shoot always amazes me – even for the simplest of scenes.  The morning shoot had 4 actors and one location but there must’ve been nearly 20 crew members milling around – cutting off traffic, winding cables, holding light reflectors and re-touching makeup.

My scenes ended up being pushed back in the running order so I spent much of my time watching the filming from behind the camera.  I love to see how it all works; the steadicam cameramen and their runners, the gaffers, the director, the 1st and 2nd AD’s, the sound people all working seamlessly together like a well oiled machine.  And by “well oiled” I mean “highly caffeinated”.

It was a lovely sunny day (see if you can spot it in the film!) but the wind was sharp and biting.  Happily, the thoughtful costume team provided us delicate-skinned acting folk with fluffy puffer jackets to keep warm.  Which was nice.

It was late afternoon before I got the other side of the camera, dodging curious school children and making friends with an excitable Alsatian.  Filming went well and hours seemed to zip by in the blink of an eye.  I was soon getting back into my civvies and heading off for another night in another hotel.

10 hours on set, who knows what will end up in the final edit?

Such is the life of an actor.

Tim Austin is an Actor working nationally and internationally from his base in the UK. You can find his Spotlight CV here; http://www.spotlight.com/8218-3497-0502 and watch his showreel by clicking here.

*okay, he doesn’t really. Unless you count Timothy Spall.

“Wasteland” Feature Film Casting.

A quick update to announce that I’ve accepted a role in the upcoming British feature film “Wasteland”.

Starring Matthew Lewis (Neville Longbottom in the Harry Potter series of films), Timothy Spall (Sweeney Todd, Harry Potter, just about everything), Vanessa Kirby (the BBC’s recent Great Expectations) and directed by talented writer/director Rowan Athale, “Wasteland” is a great project with a wonderful cast.

I’m thrilled to be joining them as the latest actor on set.

You can read the IMDB listing for the movie here.

Filming starts next week. More details soon,…

Tim Austin is an Actor working nationally and internationally from his base in the UK. You can find his Spotlight CV here; http://www.spotlight.com/8218-3497-0502 and watch his showreel by clicking here.

A Few Thoughts on the “High Profile Credits” Conundrum.

Earlier this month I made my way down to London to meet BAFTA Nominated film director Gabriel Gauchet. I auditioned for his latest short thriller, a tightly written heart-stopper about stalking. If you’re not familiar with Gabriel’s work, I suggest you check him out. You can find out more about his work at www.gabrielgauchet.com.

I also managed to sneak a few words with ace casting director Brendan McNamara, who was kind enough to answer a few questions that I had after regarding his book “It’s the Audition, Stupid!” You can read my book review and a snippet of the interview over at Frost Magazine.

My chat with Brendan re-enforced my view that casting directors and directors put a lot of stock in the profile of an actors’ credits – the higher the profile, the more dependable the actor.

While Brendan was keen to stress that he likes trying out new people and taking a few risks, my impression was very much that casting directors still concentrate on what is written on your CV.

Now, by “high profile credits” I don’t necessarily mean leading roles. What I’m talking about are appearances with the leading theatre companies, speaking roles on popular TV shows and working with influential directors. The roles don’t need to be big, but it’s remarkable how a few names on your credits can affect your career.

So if high profile credits are important to you being considered for high profile gigs, how do you ever get high-profile credits? Surely it’s a vicious circle?

Not necessarily.

Casting directors like to see new work. They don’t always have the time to go and see every show that’s playing across the country but if you ask casting directors or, indeed, theatre/film directors, to see something that you’re in, it’s a good bet that they’ll at least consider it – just remember to get them free tickets.

If a casting director sees you in the flesh and likes what they see then suddenly that CV becomes less important.

And specialise. Sure, you may not have major credits on Doctor Who or Great Expectations but what if the Casting Director needs someone who can ride a horse or juggle? All of a sudden, you’re ahead of the pack; you’ve got something they need. And if they need it for a feature or a TV role then,… well, you might get that credit after all.

I’m mentioning this because I’m stuck in a frustrating lull at the moment and I’m not going to rest on my laurels and wait for my agent to call.

I’m in contact with 3MT in Manchester and tentative plans are afoot for performing in a comedy radio show in front of a theatre audience. I’ve also been asked to create original content for their upcoming internet TV station (more news soon).

But, more importantly, I’m in the early stages of putting together a one man show at the venue. It might be months before I’m cast in a mainstream show at a large venue – months that are wasted from a casting point of view. By creating content with a partner venue, I can control how and when casting bods can see me live.

They can also, of course, see my newly updated showreel on my Spotlight, CCP and Starnow profiles.

On the specialisation front, I’m actively seeking out courses in everything from camera acting technique to circus skills, horse riding, sword fighting and many others. Obviously I’ll not do all of these at once, but it’s good to see what’s out there. I’m also ensuring that my current specialisms, my Dramaturgy, my puppetry experience, my period features and voice, and my high-energy comedy chops are pushed to the fore.

And you’d be right to think; “Heck, Tim, isn’t that all rather expensive? How are you going to afford it all?”

Aha, well that’s a story for my next blog,…

Tim Austin is an Actor working nationally and internationally from his base in the UK. You can find his Spotlight CV here; http://www.spotlight.com/8218-3497-0502 and watch his showreel by clicking here.

New Showreel

I’ve now posted a re-edited showreel/demoreel, complete with footage from “Date Night”. You can see it below. You can also view it, along with voice clips and gallery images, on my showreel page Above.

If you have any comments, or you would like to contact me about a project, please visit my contact page, above.

At Last, it’s here!

My 2011 showreel is complete! You can view it in the window below or click here; http://youtu.be/cy67bbcO-Xw

There may be an update to the showreel later in the year as today I am meeting with a director to discuss my appearance another short film.

The showreel below doesn’t feature any footage from Whiff Whaff but I’m confident on getting my paws on it by the end of the month. I’ll update the showreel with new clips as and when I have them.

Until then, take a look and see what you think.

I’m actively looking for new film and television roles. If you have something for me, please get in touch by hitting the “Contact Tim” Tab above. Taverymuchly 🙂