Tag Archives: Comedy

Down on the (Worthy) Farm: Glastonbury Festival 2014

Today I can officially announce that I’ll be starring in a brand new stage show at Glastonbury Festival in June 2014.

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The new show, Clueless and Wuffles: the Case of the Missing Jewels, is a family comedy farce.  Packed with slapstick, song and puppetry, the show has been put together for Professor Panic’s Big Top and will be performed on the Kidz Field.

I’ll be starring as DCI Clueless, a vain detective who’s as inept as he is self-absorbed.  His faithful canine partner, DS Wuffles, supports him by,…. well, by solving all of his cases for him!  But have they met their match when the Crown Jewels are snatched from the Tower?

It’s a fantastic show and a brilliant showcase, and I’m thrilled to be taking on yet another leading role for my long-time collaborators at Rough Magic Theatre.

If you’re at the festival, do make the trip across and enjoy the show!

Glastonbury 2014 takes place between the 25th – 29th of June at Worthy Farm near Pilton in Somerset.  For full details of this year’s festival, click here.

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A Few Thoughts on the “High Profile Credits” Conundrum.

Earlier this month I made my way down to London to meet BAFTA Nominated film director Gabriel Gauchet. I auditioned for his latest short thriller, a tightly written heart-stopper about stalking. If you’re not familiar with Gabriel’s work, I suggest you check him out. You can find out more about his work at www.gabrielgauchet.com.

I also managed to sneak a few words with ace casting director Brendan McNamara, who was kind enough to answer a few questions that I had after regarding his book “It’s the Audition, Stupid!” You can read my book review and a snippet of the interview over at Frost Magazine.

My chat with Brendan re-enforced my view that casting directors and directors put a lot of stock in the profile of an actors’ credits – the higher the profile, the more dependable the actor.

While Brendan was keen to stress that he likes trying out new people and taking a few risks, my impression was very much that casting directors still concentrate on what is written on your CV.

Now, by “high profile credits” I don’t necessarily mean leading roles. What I’m talking about are appearances with the leading theatre companies, speaking roles on popular TV shows and working with influential directors. The roles don’t need to be big, but it’s remarkable how a few names on your credits can affect your career.

So if high profile credits are important to you being considered for high profile gigs, how do you ever get high-profile credits? Surely it’s a vicious circle?

Not necessarily.

Casting directors like to see new work. They don’t always have the time to go and see every show that’s playing across the country but if you ask casting directors or, indeed, theatre/film directors, to see something that you’re in, it’s a good bet that they’ll at least consider it – just remember to get them free tickets.

If a casting director sees you in the flesh and likes what they see then suddenly that CV becomes less important.

And specialise. Sure, you may not have major credits on Doctor Who or Great Expectations but what if the Casting Director needs someone who can ride a horse or juggle? All of a sudden, you’re ahead of the pack; you’ve got something they need. And if they need it for a feature or a TV role then,… well, you might get that credit after all.

I’m mentioning this because I’m stuck in a frustrating lull at the moment and I’m not going to rest on my laurels and wait for my agent to call.

I’m in contact with 3MT in Manchester and tentative plans are afoot for performing in a comedy radio show in front of a theatre audience. I’ve also been asked to create original content for their upcoming internet TV station (more news soon).

But, more importantly, I’m in the early stages of putting together a one man show at the venue. It might be months before I’m cast in a mainstream show at a large venue – months that are wasted from a casting point of view. By creating content with a partner venue, I can control how and when casting bods can see me live.

They can also, of course, see my newly updated showreel on my Spotlight, CCP and Starnow profiles.

On the specialisation front, I’m actively seeking out courses in everything from camera acting technique to circus skills, horse riding, sword fighting and many others. Obviously I’ll not do all of these at once, but it’s good to see what’s out there. I’m also ensuring that my current specialisms, my Dramaturgy, my puppetry experience, my period features and voice, and my high-energy comedy chops are pushed to the fore.

And you’d be right to think; “Heck, Tim, isn’t that all rather expensive? How are you going to afford it all?”

Aha, well that’s a story for my next blog,…

Tim Austin is an Actor working nationally and internationally from his base in the UK. You can find his Spotlight CV here; http://www.spotlight.com/8218-3497-0502 and watch his showreel by clicking here.

New Showreel

I’ve now posted a re-edited showreel/demoreel, complete with footage from “Date Night”. You can see it below. You can also view it, along with voice clips and gallery images, on my showreel page Above.

If you have any comments, or you would like to contact me about a project, please visit my contact page, above.

From London to Blackburn – busy, busy!

Chugga-cha-chum-chugga-cha-chum. It’s a sound I’ve been getting very used to in recent weeks.

I’ve been spending a lot of time on trains, y’see. Not being a driver (yet), trains are my main method of getting to and from auditions – and I’ve been auditioning quite a bit recently.

Three weeks ago I travelled to Blackburn for Pendle Productions and Storytellers Theatre. They’d invited me down to audition for their 2011/12 winter tours and, knowing how well regarded they are and the quality that they demand from their performers, I was glad to attend.

It was a very enjoyable audition with a little song, a bit of dance and a jot of storytelling.

And then there was my commercial audition for Jared Hess, the director of Napoleon Dynamite. I’ve just returned from London after the audition at the Green Room in Soho. It’ll be a commercial that’ll air in the UK over Christmas – so, national exposure and good money. And the chance of working with a genuine Hollywood director.

“Date Night” filming is now complete and I’ve been shown a sneak peek of the final cut. It’ll be doing the rounds on the short film circuit, starting later this year. A clip will be added to my showreel as soon as the film is completed. More updates to follow.

But, as of now, I’m back “resting” although there’s really no “rest” involved. I sit at my desk from 9-5 making calls, writing in to castings and arranging visits. In fact, in many ways, I’m busier now than I ever was when I was in “regular” employment!

I’m hopeful that my recent endeavours will see me back on stage or in front of a camera before too long but I’m always looking for new and exciting projects.

If you’re a producer, a director or a casting agent, do take a good look around the site. If you think I might be suitable for something that you’re casting, do get in touch – you’ll find my email address on my “Contact” page.

Until next time, however; take care and stay frosty.