Tag Archives: Dramaturgy

Medical Roleplay and The Man with a Plan

As 2014 chugs merrily on, I’m encouraged by the opportunities that are springing up – some on the acting side, some on the writing and some on the Dramaturgy.

I’ve recently started working with a company in Lancaster on some medical roleplay for the local hospital.  It’s a fantastic way to keep your “hand in” between stage and screen roles and the people involved are marvelous.  It’s also nice to see employers who are still pro-active in employing local actors –  it’s a frequent complaint that I hear in my position at my local Equity branch: why do many Northern theatres and TV producers mainly audition for performers in London?  Why does this still happen when there are so many talented performers right next door?  Are the actors in London better?  In most cases, the answer is simply “No”.  Yet it happens.

Sorry, bit of a rant there.

Writing plans are a touch hush-hush but things may pan out in very interesting ways as the year goes on.  Keep ’em peeled!

What I can say is that I’ve a radio drama script in contention at the Beeb – it’s a play that I wrote from my previous experience as an ambulance call taker and dispatcher.  Feedback has been positive so far but you can never tell; the commissioning structure at the BBC isn’t the most straight-forward process in the world.

I was down in London t’other day (as a Dramaturg) to meet with Puppeteers and producers about the process of writing for puppets.  It was a fantastic event that threw up a bunch of interesting questions.  I’ve written for puppets quite a bit and it’s great to be able to share some of my experience.  If you’ve a puppetry play that you could do with a little feedback on, even if you’ve not started scripting it yet, do drop me a line – timaustin2000@googlemail.com.

Back to the acting:  last year was a slow year, with many other concerns (a lot of them to do with feeding myself each month) distracting me from pushing hard on the acting side of things.  I’m determined that this will change in 2014 and, to help myself capitalise on my experience and ability, I’m drawing up a plan.

If I could give one piece of advice to new-comers to the acting biz it’d be to plan.  What are the types of shows that you’d like to do (be specific!)?  Who makes them?  When will they be most open to hearing from you and what’s the best way of getting in touch?  How can you be seen by them in performance?  If you’ve nothing coming up, is there a way of making some work of your own in their area?

All these questions go into a year planner on my wall.  A career is a career, after all:  Acting is not a hobby.

So I’ll end on a question – just pop your answers in a comment, below.  How do you plan out your acting career and what kind of actor do you want to be?

Until next time, stay frosty!

Tim x

Keepin’ on Truckin’

On Tuesday I met the wonderfully creative and talented Steve Byrne, artistic director at Interplay Leeds. After congratulating him on his increased National Portfolio funding (and if you know Interplay, you’ll know how much they deserved it!) we got chatting about our past work together and possibilities for the future.

Steve seemed keen to work with me as a performer and we discussed some projects that he has in the pipeline. Nothing concrete, but I’m hopeful that I’ll be back in rehearsal with Interplay before long.

I also had a chat with Darren at Morph Films about filming A Price on Life, the NHS protest piece that I developed a few weeks back (see my post below). We hope to be putting it in front of cameras sometime early in June, although we haven’t got a firm date fixed yet. I should have more news on this in my next blog.

I’ve been busy applying for new castings all over the shop this week. The most exciting of these is an opportunity to perform for the simply wonderful Theatre Company Blah Blah Blah on their Stig of The Dump tour later this year. I’ve wanted to work with the Blah’s for simply ages and I have many fingers and toes crossed for an audition. I love the ethos of the company and, having worked with disabled actors and audiences quite a few times in my career so far, I am always excited when a new project like this comes up.

My chat with Steve at Interplay got me thinking beyond my acting career, however. Having worked with me when I was Dramaturg on Daughter of the Winds and Happy Days, Steve was curious to know why I hadn’t been actively chasing Dramaturgy and writing work in recent months. I started explaining to him that there was little interest in this side of my career when it suddenly hit me; that wasn’t actually true.

In recent months I have been asked to write two plays and provide Dramaturgical feedback on a full movie screenplay! Red Ladder seem keen to engage me in more script reading too, although their plans are a little up in the air due to their recent ACE funding cut.

In fact, whenever I start talking to people about my career so far, ears seem to prick up when I mention my Dramaturgy. Life, as they say, is what happens when you’re busy doing something else – and I can testify to that.

With this in mind, I’ve decided to push ahead with the launch of a blog dedicated to this side of my career – You’ll find it at dramaturgtim.wordpress.com. It’ll launch tomorrow night (17/5/2011, about 20.00 GMT) so keep your eyes peeled!

You may also have noticed a major facelift to the site. I’ve re-jigged it to make things more accessible and information about me easier to find. Please take a good look around.

I’m off to a meeting with the Arts Council later today so I shall have to disappear off. But you stay frosty, y’hear?

Tim Austin is an Actor and Theatre Dramaturg working nationally and internationally from his base in the UK. You can find his Spotlight CV by clicking here and a full biography by clicking here.