Tag Archives: Lancaster

Medical Roleplay and The Man with a Plan

As 2014 chugs merrily on, I’m encouraged by the opportunities that are springing up – some on the acting side, some on the writing and some on the Dramaturgy.

I’ve recently started working with a company in Lancaster on some medical roleplay for the local hospital.  It’s a fantastic way to keep your “hand in” between stage and screen roles and the people involved are marvelous.  It’s also nice to see employers who are still pro-active in employing local actors –  it’s a frequent complaint that I hear in my position at my local Equity branch: why do many Northern theatres and TV producers mainly audition for performers in London?  Why does this still happen when there are so many talented performers right next door?  Are the actors in London better?  In most cases, the answer is simply “No”.  Yet it happens.

Sorry, bit of a rant there.

Writing plans are a touch hush-hush but things may pan out in very interesting ways as the year goes on.  Keep ’em peeled!

What I can say is that I’ve a radio drama script in contention at the Beeb – it’s a play that I wrote from my previous experience as an ambulance call taker and dispatcher.  Feedback has been positive so far but you can never tell; the commissioning structure at the BBC isn’t the most straight-forward process in the world.

I was down in London t’other day (as a Dramaturg) to meet with Puppeteers and producers about the process of writing for puppets.  It was a fantastic event that threw up a bunch of interesting questions.  I’ve written for puppets quite a bit and it’s great to be able to share some of my experience.  If you’ve a puppetry play that you could do with a little feedback on, even if you’ve not started scripting it yet, do drop me a line – timaustin2000@googlemail.com.

Back to the acting:  last year was a slow year, with many other concerns (a lot of them to do with feeding myself each month) distracting me from pushing hard on the acting side of things.  I’m determined that this will change in 2014 and, to help myself capitalise on my experience and ability, I’m drawing up a plan.

If I could give one piece of advice to new-comers to the acting biz it’d be to plan.  What are the types of shows that you’d like to do (be specific!)?  Who makes them?  When will they be most open to hearing from you and what’s the best way of getting in touch?  How can you be seen by them in performance?  If you’ve nothing coming up, is there a way of making some work of your own in their area?

All these questions go into a year planner on my wall.  A career is a career, after all:  Acting is not a hobby.

So I’ll end on a question – just pop your answers in a comment, below.  How do you plan out your acting career and what kind of actor do you want to be?

Until next time, stay frosty!

Tim x

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Winning Awards in a Fascinating Year.

At the start of 2013, I acted in a short film called “Life Like Mine”.  As the year draws to a close, then, it’s a great time to announce that the film has now garnered not 1 but 3 awards at the Angel Film Awards at the Monaco Film Festival.

The awards, now in their 11th year, are among the most prestigious on the short-film circuit.  These three awards are a testament to the hard work and talent of the crew and I’m delighted to share in their success.

What a lovely way to end the year.

And what an interesting year it’s been.  I’ve continued my successful partnership with Yorkshire-based Rough Magic Theatre, performing a number of street shows with the company and starring in their brand new theatre piece “Officer Buckle and Gloria”.

I’ve also spent a good chunk of the year training my screen performance with the help of Beverley Keogh in Manchester, as well as auditioning for a number of shows, among which was a brand new BBC sitcom.

The feature film that I shot last year, The Rise, has also had its cinema release and is now out on DVD.

My work with the local Equity branch has also been rewarding, with recent discussions and efforts delivering real benefits for performers in the region.

All in all, a fascinating time.  What will 2014 bring?

Have a Merry Christmas and a Happy New Year, all!

Tim

A Few Thoughts on the “High Profile Credits” Conundrum.

Earlier this month I made my way down to London to meet BAFTA Nominated film director Gabriel Gauchet. I auditioned for his latest short thriller, a tightly written heart-stopper about stalking. If you’re not familiar with Gabriel’s work, I suggest you check him out. You can find out more about his work at www.gabrielgauchet.com.

I also managed to sneak a few words with ace casting director Brendan McNamara, who was kind enough to answer a few questions that I had after regarding his book “It’s the Audition, Stupid!” You can read my book review and a snippet of the interview over at Frost Magazine.

My chat with Brendan re-enforced my view that casting directors and directors put a lot of stock in the profile of an actors’ credits – the higher the profile, the more dependable the actor.

While Brendan was keen to stress that he likes trying out new people and taking a few risks, my impression was very much that casting directors still concentrate on what is written on your CV.

Now, by “high profile credits” I don’t necessarily mean leading roles. What I’m talking about are appearances with the leading theatre companies, speaking roles on popular TV shows and working with influential directors. The roles don’t need to be big, but it’s remarkable how a few names on your credits can affect your career.

So if high profile credits are important to you being considered for high profile gigs, how do you ever get high-profile credits? Surely it’s a vicious circle?

Not necessarily.

Casting directors like to see new work. They don’t always have the time to go and see every show that’s playing across the country but if you ask casting directors or, indeed, theatre/film directors, to see something that you’re in, it’s a good bet that they’ll at least consider it – just remember to get them free tickets.

If a casting director sees you in the flesh and likes what they see then suddenly that CV becomes less important.

And specialise. Sure, you may not have major credits on Doctor Who or Great Expectations but what if the Casting Director needs someone who can ride a horse or juggle? All of a sudden, you’re ahead of the pack; you’ve got something they need. And if they need it for a feature or a TV role then,… well, you might get that credit after all.

I’m mentioning this because I’m stuck in a frustrating lull at the moment and I’m not going to rest on my laurels and wait for my agent to call.

I’m in contact with 3MT in Manchester and tentative plans are afoot for performing in a comedy radio show in front of a theatre audience. I’ve also been asked to create original content for their upcoming internet TV station (more news soon).

But, more importantly, I’m in the early stages of putting together a one man show at the venue. It might be months before I’m cast in a mainstream show at a large venue – months that are wasted from a casting point of view. By creating content with a partner venue, I can control how and when casting bods can see me live.

They can also, of course, see my newly updated showreel on my Spotlight, CCP and Starnow profiles.

On the specialisation front, I’m actively seeking out courses in everything from camera acting technique to circus skills, horse riding, sword fighting and many others. Obviously I’ll not do all of these at once, but it’s good to see what’s out there. I’m also ensuring that my current specialisms, my Dramaturgy, my puppetry experience, my period features and voice, and my high-energy comedy chops are pushed to the fore.

And you’d be right to think; “Heck, Tim, isn’t that all rather expensive? How are you going to afford it all?”

Aha, well that’s a story for my next blog,…

Tim Austin is an Actor working nationally and internationally from his base in the UK. You can find his Spotlight CV here; http://www.spotlight.com/8218-3497-0502 and watch his showreel by clicking here.

A Year in Review.

As  2011 fades into the mists of time and 2012 springs, Bambi like, into the face of today (don’t start!), it’s time to reflect on the year past and look forward to the year ahead.

And it’s been a hell of a year! In 2011 I;

    • Was cast in 3 short films (2 of which are now complete).
    • Performed on stage in “Whiff Whaff” and directed another play for “Theatre Uncut”.
    • Reprised my role as the Mad Hatter in “Alice in Wonderland” at the Hebden Bridge Festival in West Yorkshire.
    • Performed improv at Contact Theatre in Manchester.
    • Auditioned on The West End and for a Hollywood director.
    • Was chosen to audition for leading roles in “Merlin and the Legend of King Arthur” and “Much Ado About Nothing”, among many others.
    • Published my first showreel.
    • Wrote sucessful play scripts for Morph Films and Rough Magic Theatre.
    • Created VideoTim, a YouTube channel dedicated to new original monologues.
    • Secured both a performing agent and a voice over agent.
    • Attended various equity and networking events, including the recent innaugral gathering of a brand new branch in North Lancashire (more on that later).
    • Became a columnist for Frost Magazine.
    • And began writing this blog.

    Whew!  I hadn’t quite realised just how busy last year had been.

    But that was 2011; What about 2012?

    Well you never know what the future is going to bring but it is my hope that, with renewed hard work and determination, things will really begin to take off. 

    I’ve already got performances at 3MT in Manchester on the cards as well as workshops for Red Ladder Theatre in Leeds. I’ll be visiting the BBC studios at Media City in Salford soon and completing a significant series of articles for Frost Magazine.

    But what else would I like to do this year? Let’s throw caution to the wind and set out my stall for the year ahead;

      • I’m still very keen to work with the team at Big Finish Productions, an audio drama company that I’ve admired for many years.
      • I’m hoping to build on my relationships with regional theatres in Lancaster, Leeds, Manchester and across Yorkshire and Lancashire. There are a few companies that I’m particularly keen to work with, including the brilliant Pilot Theatre, Northern Broadsides and (if they’ll have me!) Forced Entertainment.
      • I’d like to get more comic material on my showreel as it’s a little short on range.
      • Training ambitions this year include Horse Riding and Fencing.
      • And I’m looking for my first mainstream TV and movie roles in 2012!

      You never know what’s around the corner in this job; I was contacted about a presenting gig for Disney the other week.

      Let’s see what 2012 has in store!

      Tallyho!

      Good to Be Back

      Would you look at the date!

      Where have I been? I’ll get to that in a second. First; some news!

      If you look at the header above, you’ll notice a change; my blog will no longer be known as Actortim. In the interest of putting a more professional face to my online world, I shall be using the domain name http://www.tim-austin.co.uk from now on. So welcome to my new home; it’s just like the old one but it’s wearing a slightly sharper suit.

      Date Night is now doing the rounds on the short film circuit and, having seen the result, I’m very proud of what we put together. I’ll be adding a clip to my showreel soon so keep those peepers peeled!

      This Wednesday see’s me zipping over to Lancaster for a meeting with Demi Paradise about their 2012 show “Much Ado About Nothing”. I’m very excited about this as I simply adore performing Shakespeare and opening up his genius to new audiences. I’ll also be writing my thoughts on the upcoming film “Anonymous” and the various “who wrote Shakespeare” theories soon. You don’t want to miss that (it’s not gonna be pretty!)

      And so onto the big question; just where in blazes have I been for the last few weeks?

      Simple answer? Temping. Yes, ladies and gentlebeans, I’ve been doing a 9-5 job – slipping into black trousers and dangerously bright shirts to help out at my local GP surgery. It’s not a permanent thing, indeed I’ve only a couple more weeks to go before I’m shown the door, but it gives me something that is essential to any actor; security.

      The security to pay my Spotlight and Equity subscriptions, the security of a little money ferreted away to get to auditions and to pay my rent into the New Year and the security of knowing precisely where my next paycheque is coming from. It may sound like small tamales to many of you but trust me, for an actor, that’s a biiig deal.

      But, as my work is nearly done, I’m hitting the trail – hunting for the acting work, applying for the castings and putting myself about like Belle De Jour’s excitable younger cousin!

      And it’s good to be back.

      Exciting Times!

      Filming continues on “Date Night”, the short film I’m starring in somewhere in the depths of Lancaster, with exterior scenes due to be completed next weekend.

      I really enjoy the challenge and discipline of working on camera; it’s an art in itself and very different to working as an actor on stage. There are yawning chasms of time between shots while lighting and cameras are rigged, sound is checked and notes are given. During this time, you have to hold any emotion or energy that you were expressing in the shot before to re-create it for the next; it’s a great test of mental discipline!

      And I love it, just as I love working an audience on stage. Indeed, I’m not sure which I prefer more, stage work or filming; it’s all good!

      That said, I’m really hankering after more film work after “Date Night” is complete, the trouble being that my contacts in the film and TV world are a little limited. Though things change. In fact, if you’re a film or TV producer, or if you know a really good one, do drop me a line.

      My First article for Frost Magazine is now live and you can read it here. There will be another online this weekend and I’m preparing a very exciting set of articles and interviews over the next few weeks, all of which is pretty hush-hush and on the QT.

      I’m also in the very early stages of setting up a possible showcase in Manchester, for the benefit of producers and directors in the town. Early days but it’s looking pretty exciting.

      Y’see, you’ve got to make yourself heard in this business; anyone can have a decent CV and hundreds of people have “graduated from an accredited stage school”. But if you don’t put in the leg work and get yourself seen, you’re going nowhere fast, bucko. So that’s what I’m doing; putting in the leg work, and I’ll tell you all about it next time,….

      Don’t be a stranger!

      Tim Austin is an Actor working nationally and internationally from his base in the UK. You can find his Spotlight CV here; http://www.spotlight.com/8218-3497-0502 and watch his showreel by clicking here.

      “Date Night” Filming and Updates

      Filming has now begun on “Date Night”, a short film that I’m acting in somewhere in the depths of Lancaster. I can now give you a few more details,… but not too many!

      “Date Night” is in production at LFC Productions in Lancaster and is being directed by the wonderfully creative Liam Treacy, who also wrote the script. It is a two-hander between myself and actress Collette Knowles and,… well, I can’t give any details about the plot or I’d have men with very sharp sticks knocking at my door in the dead of night.

      Last night (16/08/2011) saw the first night of filming. Interior scenes were shot at a secret location. I can tell you that it was a restaurant and that it was impossibly swish. Needless to say, no food of theirs went anywhere near my mouth! This was a great relief to the lobsters but a mild disappointment to my taste buds.

      Cameras will roll again later this week for exterior shots and pickups. I’ll be uploading some photos from set in the next couple of days so stay tuned.

      Further to my post below, I can also now reveal that I have been accepted as a columnist for Frost Magazine, a superb online lifestyle and arts magazine. I am in the process of writing my first entry which should be up online sometime next week. You can read the magazine by clicking on the link below. I’ll update you with details about my columns and articles soon.

      Read Frost Magazine here; http://frostmagazine.com