Tag Archives: stage

Overcoming the Anxiety of Getting Seen.

Being a working actor can be terrifying. It is, without a shadow of a doubt, the most fickle and over-subscribed industry on Earth, with hundreds, if not thousands, of actors applying for every single role that you apply for.

To make matters worse, if you don’t have an agent you’re probably only seeing 10% of the roles that are being passed about by those most terrifying, and wonderful, of gate-keeping humans: Casting Directors* (pay attention to the asterisk – it’s coming back later!)

I’m reminded, now that I’m back pounding pavements, just how difficult it is to be seen by the right people to make any progress in this business. The level of anxiety that can produce is very real. But how can we overcome it?

I’ve been reading up on advice given by Casting Directors and one phrase really jumped out at me:

Stay Positive.

Christ alone knows how difficult that can be when you’ve sent off your 10th pitch of the day and recieve crickets for your reward. The sheer force of silence on the other side of the casting divide is both deafening and deeply disheartening. But I understand what they mean when they say Stay Positive. I get it.

Because if you have the tenacity – if you get out there and be positive about yourself, your ability, your look and your aims, the right casting director will eventually see you at the right time for the right audition. You just need to trust the process.

Here’s the thing about that: *Casting Directors are lovely people – I know a couple of wonderful CDs (hello you!) and I can say this with complete conviction. Casting Directors want to find great actors and put them forward because they love TALENT.

They love finding a great actor as much as an actor loves finding a great role. If you are confident in your ability to deliver a performance that will win the part why should you be afraid to reach out and ask to be seen? I mean, don’t do it constantly – god no! They’re busy and don’t want to be bombarded – but a very occasional hello to remind them you’re active is fine. Encouraged, even.

Belief in your ability is what will hold you together. Not to a concieted or egotistical level (no no no no) but with a confident conviction that, actually, you are good at what you do. That you can demonstrate this. So long as you have this belief, you’ll be able to keep on punching through. Keep on fighting. Keep on reaching out to the people who need to see you.

Sometimes that belief will falter so go out and talk to other actors, directors and producers. Get out there and become part of a supportive network who will keep you fresh, keep your talent sharp and help to remind you that you deserve your part in the mix.

I was very humbled to recieve some beautiful feedback on an audition the other day. I was so nervous heading in for it – I hadn’t gone in for a face to face audition since long before Covid, but I had a monolgue that I knew I could deliver really well (rehearse, people!) and an idea of the character I was casting for that I knew would show thought and consideration.

Indeed, I used the nerves I felt outside that room to enhance my monologue – a character filled with an internal rage and self loathing. I turned that nervous energy inward, just as I’d learned to do over the decades I’ve been at this.

I came out of the audition knowing that a) I’d done my very best and the applause I’d recieved meant I hadn’t fucked it up (phew!) And b) that, actually, I probably wasn’t a perfect physical fit for the role, compared with other actors there.

I was very happy to hear, afterwards, that my instincts were right: the Director and Casting Director loved what I’d done. They loved my audition and my monologue to a point where it made them reconsider the character.

I’d come so very close to the lead role I’d gone for,… but my physical look meant there was another choice who – rightly – got that part instead.

(NB: I never feel bad about loosing a role if the right person gets it. Never. I love film. I love theatre and TV and drama and creating great work: why would I be upset that the film I wanted to be in is now cast perfectly? Makes no sense.)

But what it gave me was reassurance: I’d proven to myself that I was needed in that room. That I was worth their time. That I can deliver a performance that can make Casting Directors, Directors and audiences sit up and pay attention.

And for that I was so grateful.

It gave me my Positivity.

What else do you need? Well I’ll be going into that in some depth over the upcoming weeks – how to plan, who to connect with, what to create yourself (and why) and more. Hit subscribe and keep up to date to learn more about my process and my progress.

Tim x

See you next time!

Tim is currently seeking representation and casting opportunities. If you like what you see on his showreel and gallery, he welcomes approaches from casting professionals.

Photo by Tonik on Unsplash

Back In The Game: Why Now Is The Time I’m Returning to Acting and Writing.

You could argue – with some success – that I hadn’t actually left acting in the first place, but it’s true to say that I stopped actively chasing work after the birth of my son in 2017.

Anthony was born very premature and required a lot of time and care in the early months of his life. I needed to be available and I needed to secure a steady, reliable income to be so. As such, I became a permanent member of staff at my local GP surgery (where I’d been temping for many years).

I settled my finances and secured my immediate future but lost my ability to audition.

It needed to be done.

Some work still came my way even without chasing it. I find this a constant, though very welcome, surprise when it happens. A publisher in New York approached me to narrate an audiobook for a NY Times bestselling author (through ACX) in 2018. Working around my surgery hours, I completed the project in early 2019. I’ve also had consistent work from a medical roleplay company that has kept my acting tools sharp throughout, with 2 or 3 one-day gigs a month.

I also gained very strong interest in providing the continuity voiceover for a medical fly-on-the-wall documentary series that was pitched to BBC2. Sadly, the pilot didn’t result in a series comission and Covid meant that the project fell by the wayside.

See what I mean about not actually leaving acting work? It’s probably more accurate to say that it never really left me.

So why am I going back now?

To answer that I have to go back to 2012 when I started a one-person Copywriting and Public Speaking Agency to support my acting and writing ambitions. Having worked as an award-winning copywriter for BT for many years, this seemed like an ideal opportunity to provide income and freedom – and it was immediately successful.

Sadly, in 2015 I suffered a bout of depression. This was compounded by the passing of my mother and grandmother in 2016. My agency work was placed on hold while I got myself back into shape and returned to a lesser degree when I worked at the surgery.

I’d always promised myself that I would move back into performing if the agency started to take up slack from the surgery. In late 2019 this seemed to be happening, with a run of success that closed off the year with a bang.

And 2020,…. we all know what happened.

2021, however, has seen the agency take off once again, with enough work to support myself and my family, and the freedom to choose when I do it. It’s my “side hustle” once more.

You HAVE to have a side hustle as an actor and performer. Unless you’re already independently wealthy, you won’t survive the infrequency of the work you get as an actor until you “make it” – and 99% of us never hit the dizzying heights of “main stars” like David Tennant or Idris Elba, though we must fight to.

My good friend and colleague Catherine Balavage (http://www.frostmagazine.com) once put it best: you have to be an Actorpreneur. Give yourself the income to support yourself and the freedom to chase the work. She wrote a fantastic book on the subject that you can read here.

Which is why, now both of my children are more independent and my side-hustle is secured, now is the time to pound on doors and chase the work once more.

I am intensely proud of my work at the GP surgery and forever grateful for them for providing me the stability I needed when I needed it most. It was with a heavy heart that I handed in my notice in August and left for the final time in September.

So I’m back. Properly back – applying for castings, dialling up old contacts and hitting the streets once more to fight for my place in the great market of creatives. I have already secured a new showing of Alice in Wonderland with my long-term collaborators at Rough Magic Theatre and am waiting to hear on a few other potential opportunities that have drifted my way.

I had my first new headshot photoshoot in many, many years last week with the BRILLIANT Ania Pankiewicz (https://www.aniapank.co.uk/) and will be sharing the results very soon.

And let’s not forget The Secret Keeper, which continues to bubble away as we re-submit funding for the pilot, which will be back in the hands of Arts Council England some time next week.

This is where I’ll be updating you on my progress and sharing my insights as I move forward – it’s very exciting to me and I hope that you’ll find it equally interesting.

Subscribe to the blog, follow me on the ol’ tweets and I’ll see you all again soon.

Stay frosty!

Tim

https://www.spotlight.com/8218-3497-0502

https://www.mandy.com/uk/actor/timothy-austin-1

https://www.thetalentmanager.com/talent/157692/tim-austin

Tim is currently seeking representation and casting opportunities. If you like what you see on his showreel and gallery, he welcomes approaches from casting professionals.

Photo by Nikola Johnny Mirkovic on Unsplash

4 Days To Go – Clueless and Wuffles are Heading to Glastonbury (and other BIG news)!

glasto

Rehearsals for Clueless and Wuffles: the Case of the Missing Jewels are now complete, with a dress and tech rehearsal dusted over the weekend.  Now it’s just a waiting game before we head down to Worthy Farm for the festival itself.

Wuffles Poster

In case you didn’t know (or you’ve lost the ability to scroll down to the post underneath this one), I’ll be performing as DCI Clueless – a hapless and unbelievably vain detective who, along with his faithful Sergeant, DS Wuffles, must hunt down the stolen Crown Jewels.  The show will be performed at the Panic Circus Big Top on the Kidz Field from Thursday the 26th until the close of the festival.

If you’re at Glastonbury this year, keep an eye on the hashtag #wuffles for show times, pictures and all kinds of random micro-blogging goodness.  I look forward to seeing you there!

I’ll be writing up my experiences and thoughts on the festival for Frost Magazine upon my return.  Keep a weather eye out for that.

In other news, I’ve recently been cast in “Justice”, a site-specific theatrical event being held at Lancaster Castle over the Summer this year.  Work has already begun on the show, with showings taking place on weekends through July and all week through August.  More on that in my next blog post.

Plans are progressing on a funding application for a big show in March 2015.  The project, which I’ll be keeping under wraps until things are a little more firmed up, has a producer, director and musical director attached, with work due to begin on the script and music in August/September.   We’ve finalised an initial budget and our first funding bid goes in this week, with a further GFA bid emerging in July.  I’ll update you on details for the show once we know that it’s definitely happening (fingers crossed!)

And, to round things off, I’m continuing my work as a medical role-player and enjoying it immensely.  It’s a fantastic team of actors to work with and a marvellous team in charge.  I’ll be jetting back up from Somerset for another performance the day after Glastonbury (I know!)

Until next time, stay frosty!

Winning Awards in a Fascinating Year.

At the start of 2013, I acted in a short film called “Life Like Mine”.  As the year draws to a close, then, it’s a great time to announce that the film has now garnered not 1 but 3 awards at the Angel Film Awards at the Monaco Film Festival.

The awards, now in their 11th year, are among the most prestigious on the short-film circuit.  These three awards are a testament to the hard work and talent of the crew and I’m delighted to share in their success.

What a lovely way to end the year.

And what an interesting year it’s been.  I’ve continued my successful partnership with Yorkshire-based Rough Magic Theatre, performing a number of street shows with the company and starring in their brand new theatre piece “Officer Buckle and Gloria”.

I’ve also spent a good chunk of the year training my screen performance with the help of Beverley Keogh in Manchester, as well as auditioning for a number of shows, among which was a brand new BBC sitcom.

The feature film that I shot last year, The Rise, has also had its cinema release and is now out on DVD.

My work with the local Equity branch has also been rewarding, with recent discussions and efforts delivering real benefits for performers in the region.

All in all, a fascinating time.  What will 2014 bring?

Have a Merry Christmas and a Happy New Year, all!

Tim

“Officer Buckle and Gloria” Announcement

Hello all.  Yes I know that it’s been a while but I’ve been awaiting the contractual ink to dry before announcing some very exciting news!

Image

In June, I’ll be starring in a brand new stage adaptation of the multi-million-selling children’s book “Officer Buckle and Gloria” by Peggy Rathmann.

Premièring in the last week of June at East Riddlesden Hall in Keighley and City Park in Bradford, West Yorkshire,  “Officer Buckle and Gloria” is a new commission produced by my long-term collaborators at Rough Magic Theatre.

It’s the story of an American cop who travels between schools to give dull and largely-ignored safety talks.  Things change when his bosses give him a Police dog called Gloria to accompany him,… a dog with a surprising talent for show-biz!

Gloria will be a full, Alsatian-sized dog puppet and is currently under construction in the Rough Magic workshop.  Boy is she cute!

I’ll be back with more details very soon, along with exciting news of other projects that are still on the QT.

Don’t be a stranger!

Tim Austin is an actor, writer and dramaturg based in North Yorkshire, UK.  Take a look around the site to find out more.

Officer Buckle and Gloria © 1995 by Peggy Rathmann.  First published in the United States by G. P. Putnam’s Sons.  All rights reserved.  Used with permission.

Commercial Castings: Challenge or Chore?

I’ve just returned from an audition in London.  It was a commercial casting for a well-known home improvements retailer (for arguments sake, let’s call it Q&B) and it required some serious “these tiles don’t really exist but I’m fascinated by them anyway” acting – I wonder if that’s the kind of thing that Stanislavski had in mind when he created the System?

Commercial auditions are funny beasts.  No script, no plan, no “character” beyond a simple word or command.  But does this make them a challenge or a chore?

I certainly prefer castings for theatre or film: I feel that I have more control over the casting and the character that I’m creating.  That said, I still enjoy the challenge of selling my abilities in the time that a commercial casting gives me.  And that’s the biggest frustration of commercial casting: Time.

I once did an advert where I bought a cup of coffee at a café nearby, was called into the casting room and, when I got out, the coffee was still too hot to drink.  It felt like a bit of a cattle market.  Indeed, coming out of my latest casting, the actress I was playing against turned to me and said “you feel like an idiot, don’t you?”  And you do!

Nearly 90% of an advert casting is about look and feel, and an all-day casting might go through hundreds of candidates.  There’s an element of powerlessness about the process and that can be pretty demoralising.

But I still enjoy doing them and I learn from each and every one.  And the money for adverts is great, which helps.  I’m careful about which commercials I go in for – I’m not “wholesome hero guy” after all and I’m going to be wasting my time and my money going for those castings – but if the director wants a funny, geeky guy with a feel of vulnerability,… well, that’s me.

…..

A lot of people ask me if it’s a hassle to get up and down to London from North Yorkshire.  Simple answer: no, not really.

If I’ve a couple of days’ notice, I travel down by bus and stay with friends for castings.  If I’m given notice the day before I can be in London in a couple of hours by train – it’s more expensive but I’m happy to absorb the extra cost if it results in work.

The benefits of living in North Yorkshire, with its relaxed way of life, great countryside and lower cost of living, more than makes up for any inconvenience.

….

I’ll finish with a question: What was your quickest or quirkiest casting experience?  Let me know in the comments below.

Tim Austin is an Actor working nationally and internationally from his base in the UK. You can find his Spotlight CV here; http://www.spotlight.com/8218-3497-0502 and watch his showreel by clicking here.

A Few Thoughts on the “High Profile Credits” Conundrum.

Earlier this month I made my way down to London to meet BAFTA Nominated film director Gabriel Gauchet. I auditioned for his latest short thriller, a tightly written heart-stopper about stalking. If you’re not familiar with Gabriel’s work, I suggest you check him out. You can find out more about his work at www.gabrielgauchet.com.

I also managed to sneak a few words with ace casting director Brendan McNamara, who was kind enough to answer a few questions that I had after regarding his book “It’s the Audition, Stupid!” You can read my book review and a snippet of the interview over at Frost Magazine.

My chat with Brendan re-enforced my view that casting directors and directors put a lot of stock in the profile of an actors’ credits – the higher the profile, the more dependable the actor.

While Brendan was keen to stress that he likes trying out new people and taking a few risks, my impression was very much that casting directors still concentrate on what is written on your CV.

Now, by “high profile credits” I don’t necessarily mean leading roles. What I’m talking about are appearances with the leading theatre companies, speaking roles on popular TV shows and working with influential directors. The roles don’t need to be big, but it’s remarkable how a few names on your credits can affect your career.

So if high profile credits are important to you being considered for high profile gigs, how do you ever get high-profile credits? Surely it’s a vicious circle?

Not necessarily.

Casting directors like to see new work. They don’t always have the time to go and see every show that’s playing across the country but if you ask casting directors or, indeed, theatre/film directors, to see something that you’re in, it’s a good bet that they’ll at least consider it – just remember to get them free tickets.

If a casting director sees you in the flesh and likes what they see then suddenly that CV becomes less important.

And specialise. Sure, you may not have major credits on Doctor Who or Great Expectations but what if the Casting Director needs someone who can ride a horse or juggle? All of a sudden, you’re ahead of the pack; you’ve got something they need. And if they need it for a feature or a TV role then,… well, you might get that credit after all.

I’m mentioning this because I’m stuck in a frustrating lull at the moment and I’m not going to rest on my laurels and wait for my agent to call.

I’m in contact with 3MT in Manchester and tentative plans are afoot for performing in a comedy radio show in front of a theatre audience. I’ve also been asked to create original content for their upcoming internet TV station (more news soon).

But, more importantly, I’m in the early stages of putting together a one man show at the venue. It might be months before I’m cast in a mainstream show at a large venue – months that are wasted from a casting point of view. By creating content with a partner venue, I can control how and when casting bods can see me live.

They can also, of course, see my newly updated showreel on my Spotlight, CCP and Starnow profiles.

On the specialisation front, I’m actively seeking out courses in everything from camera acting technique to circus skills, horse riding, sword fighting and many others. Obviously I’ll not do all of these at once, but it’s good to see what’s out there. I’m also ensuring that my current specialisms, my Dramaturgy, my puppetry experience, my period features and voice, and my high-energy comedy chops are pushed to the fore.

And you’d be right to think; “Heck, Tim, isn’t that all rather expensive? How are you going to afford it all?”

Aha, well that’s a story for my next blog,…

Tim Austin is an Actor working nationally and internationally from his base in the UK. You can find his Spotlight CV here; http://www.spotlight.com/8218-3497-0502 and watch his showreel by clicking here.

A Year in Review.

As  2011 fades into the mists of time and 2012 springs, Bambi like, into the face of today (don’t start!), it’s time to reflect on the year past and look forward to the year ahead.

And it’s been a hell of a year! In 2011 I;

    • Was cast in 3 short films (2 of which are now complete).
    • Performed on stage in “Whiff Whaff” and directed another play for “Theatre Uncut”.
    • Reprised my role as the Mad Hatter in “Alice in Wonderland” at the Hebden Bridge Festival in West Yorkshire.
    • Performed improv at Contact Theatre in Manchester.
    • Auditioned on The West End and for a Hollywood director.
    • Was chosen to audition for leading roles in “Merlin and the Legend of King Arthur” and “Much Ado About Nothing”, among many others.
    • Published my first showreel.
    • Wrote sucessful play scripts for Morph Films and Rough Magic Theatre.
    • Created VideoTim, a YouTube channel dedicated to new original monologues.
    • Secured both a performing agent and a voice over agent.
    • Attended various equity and networking events, including the recent innaugral gathering of a brand new branch in North Lancashire (more on that later).
    • Became a columnist for Frost Magazine.
    • And began writing this blog.

    Whew!  I hadn’t quite realised just how busy last year had been.

    But that was 2011; What about 2012?

    Well you never know what the future is going to bring but it is my hope that, with renewed hard work and determination, things will really begin to take off. 

    I’ve already got performances at 3MT in Manchester on the cards as well as workshops for Red Ladder Theatre in Leeds. I’ll be visiting the BBC studios at Media City in Salford soon and completing a significant series of articles for Frost Magazine.

    But what else would I like to do this year? Let’s throw caution to the wind and set out my stall for the year ahead;

      • I’m still very keen to work with the team at Big Finish Productions, an audio drama company that I’ve admired for many years.
      • I’m hoping to build on my relationships with regional theatres in Lancaster, Leeds, Manchester and across Yorkshire and Lancashire. There are a few companies that I’m particularly keen to work with, including the brilliant Pilot Theatre, Northern Broadsides and (if they’ll have me!) Forced Entertainment.
      • I’d like to get more comic material on my showreel as it’s a little short on range.
      • Training ambitions this year include Horse Riding and Fencing.
      • And I’m looking for my first mainstream TV and movie roles in 2012!

      You never know what’s around the corner in this job; I was contacted about a presenting gig for Disney the other week.

      Let’s see what 2012 has in store!

      Tallyho!

      Good to Be Back

      Would you look at the date!

      Where have I been? I’ll get to that in a second. First; some news!

      If you look at the header above, you’ll notice a change; my blog will no longer be known as Actortim. In the interest of putting a more professional face to my online world, I shall be using the domain name http://www.tim-austin.co.uk from now on. So welcome to my new home; it’s just like the old one but it’s wearing a slightly sharper suit.

      Date Night is now doing the rounds on the short film circuit and, having seen the result, I’m very proud of what we put together. I’ll be adding a clip to my showreel soon so keep those peepers peeled!

      This Wednesday see’s me zipping over to Lancaster for a meeting with Demi Paradise about their 2012 show “Much Ado About Nothing”. I’m very excited about this as I simply adore performing Shakespeare and opening up his genius to new audiences. I’ll also be writing my thoughts on the upcoming film “Anonymous” and the various “who wrote Shakespeare” theories soon. You don’t want to miss that (it’s not gonna be pretty!)

      And so onto the big question; just where in blazes have I been for the last few weeks?

      Simple answer? Temping. Yes, ladies and gentlebeans, I’ve been doing a 9-5 job – slipping into black trousers and dangerously bright shirts to help out at my local GP surgery. It’s not a permanent thing, indeed I’ve only a couple more weeks to go before I’m shown the door, but it gives me something that is essential to any actor; security.

      The security to pay my Spotlight and Equity subscriptions, the security of a little money ferreted away to get to auditions and to pay my rent into the New Year and the security of knowing precisely where my next paycheque is coming from. It may sound like small tamales to many of you but trust me, for an actor, that’s a biiig deal.

      But, as my work is nearly done, I’m hitting the trail – hunting for the acting work, applying for the castings and putting myself about like Belle De Jour’s excitable younger cousin!

      And it’s good to be back.

      Exciting Times!

      Filming continues on “Date Night”, the short film I’m starring in somewhere in the depths of Lancaster, with exterior scenes due to be completed next weekend.

      I really enjoy the challenge and discipline of working on camera; it’s an art in itself and very different to working as an actor on stage. There are yawning chasms of time between shots while lighting and cameras are rigged, sound is checked and notes are given. During this time, you have to hold any emotion or energy that you were expressing in the shot before to re-create it for the next; it’s a great test of mental discipline!

      And I love it, just as I love working an audience on stage. Indeed, I’m not sure which I prefer more, stage work or filming; it’s all good!

      That said, I’m really hankering after more film work after “Date Night” is complete, the trouble being that my contacts in the film and TV world are a little limited. Though things change. In fact, if you’re a film or TV producer, or if you know a really good one, do drop me a line.

      My First article for Frost Magazine is now live and you can read it here. There will be another online this weekend and I’m preparing a very exciting set of articles and interviews over the next few weeks, all of which is pretty hush-hush and on the QT.

      I’m also in the very early stages of setting up a possible showcase in Manchester, for the benefit of producers and directors in the town. Early days but it’s looking pretty exciting.

      Y’see, you’ve got to make yourself heard in this business; anyone can have a decent CV and hundreds of people have “graduated from an accredited stage school”. But if you don’t put in the leg work and get yourself seen, you’re going nowhere fast, bucko. So that’s what I’m doing; putting in the leg work, and I’ll tell you all about it next time,….

      Don’t be a stranger!

      Tim Austin is an Actor working nationally and internationally from his base in the UK. You can find his Spotlight CV here; http://www.spotlight.com/8218-3497-0502 and watch his showreel by clicking here.